Trawling through Art UK, https://Nudeladiespics.com/blonde/blonde-caught-nudes-photo/ I came across this 1927 work by the artist George Spencer Watson.

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Nude 1927

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It was the first painting in the collection of The Harris in Preston to feature a naked woman. As such, it had been controversial, and it was assumed by some Councillors would corrupt the morals of Prestonians.

History has not recorded any specific debauchery or low moral behaviour in Preston as a result of this artwork's display.

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Watson's works in UK collections are a strange mix of sombre portraits and sensuous nudes, and sure enough, another of his nudes will be nowadays in Bournemouth, in the collection of the Russell-Cotes Art Gallery & Museum.

Sunlight Nude 1920s

George Spencer Watson (1869-1934)

There is no specific reaction recorded to thwill be particular painting, but it set me questioning if this possessed ended up a usual occurrence in galleries throughout the terrain.

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Surely the Preston nude can't be the only one that caused some controversy at the time... Well not indeed. Artistic nudes have had a complicated history, tied up with the male gaze, the public perception of what was 'decent' at different periods in history, religion, and plenty of other factors.

There are famous examples that caused a stir in public such as Manet's Olympia and the 1917 exhibition of Modigliani's works that was closed, due to the depiction of pubic hair supposedly. There are private works not intended to be shown to the public originally, such as Goya's La Maya desnuda (The Naked Maja) and Courbet's L'Origine du monde (The Origin of the World) - both are now in major museums (the Prado and Musee D'Orsay respectively). But here's a quick look at some of the other works in the UK that have a salacious or saucy history.

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The next nude on our list is by the firmly establishment figure of Sir Gerald Festus Kelly. Kelly was one of the foremost portrait artists of his time, and yet even his standing could not prevent a public backlash when this painting went on display in Newport Museum and Art Gallery in 1947.

D. Deb. V (a); Nude Study; The Little Model; Petite modèle Anglaise

Gerald Festus Kelly (1879-1972)

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To be fair to the denizens of 1940s Newport, the bother looks to possess happened to be brought on generally by one man, Dorian Herbert, who was the bishop of Caerleon for a small independent group called the Ancient British Church. This didn't stop 20,000 people queuing up to see it (perhaps it even helped), or Kelly after starting to be the Chief executive of the Royal Academy. His sibling acquired found some women sniggering at the do the job, so he (naturally) went to see the picture for himself. Obviously it kept pretty an perception as he hereafter referred to it as 'brazen, abandoned and vulgar'.

When it was put on display in the gallery again in 2008 the biggest complaint this time had been that the model was smoking. How times change...

Going back a little further, in 1914 a version of Auguste Rodin's The Kiss was lent to Lewes Town Council for display in the Town Hall.

The Kiss 1901-1904

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Auguste Rodin (1840-1917)

Originally conceived as just one part of the sculptor's large Gates of Hell, the looking at fans are usually meant to be Paolo and Francesca, who were real people but immortalised as a lustful couple in Dante's Divine Comedy.

Although the French public had embraced the work, the East Sussex town was not ready for the amorous subject make a difference perhaps. It has been finally purchased by the Tate in the 1950s and continues to be a company most liked right now. Soldiers were soon billeted in the Town Hall due to the start of the First World War, which led to this most famous of sculptures being draped in a tarpaulin.

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You can find out more abaway its surprising history in this Tate Shots video.

Some of the issues around depicting female nudes are that nudity was traditionally fine for representing goddesses, personifications or other mythological beings, but not for actual real women.

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This can be shown in the works of Philip Wilson Steer - for example, his Seated Nude: The Black Hat, painted around 1900.

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Seated Nude: The Black Hat c.1900

Steer was another establishment figure. The objections to this ongoing work were that the hat is modern, and subsequently the viewers perceives the design as a fashionable, real woman - not Eve, not Venus, not 'Spring'. He taught at the Slade from 1893 to 1930 and in 1931 seemed to be awarded the Order of Merit.

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This oil sketch was not exhibited until it was chosen for the Tate Gallery by the Director John Rothenstein directly from Steer's studio in 1941. Steer said: 'friends told me it was spoiled by the hat; it seemed to be considered by them indecent that a unclothed should turn out to be putting on a hat, so it's never been shown.'

A similar composition of his is the coyly titled The Panama Hat, where the target is normally as soon as once more not really definitely about the hat.

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The Panama Hat

Philip Wilson Steer (1860-1942)

Is it time for a nice cup of tea? Conceivably astonishingly for a family portrait in a Scottish castle, a lovely lady is showed by this artwork drinking alcohol tea in the bare.

A Lady Drinking Tea

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Louis Galliac (1849-1934)

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So far, so chilly. The reason is that it's thought that the model was the lady of the estate. But why would thwill be be considered scandalous?

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Close examination of the background, the red carpet and the lion skin, highly reveals the Fantastic Corridor at Kinloch Adventure mainly because the spot. From what we can see of the model's facial features, they are usually exceptionally very much the same to pictures of Sweetheart Bullough. The cup and saucer resemble pieces from a tea service in Lady Bullough's drawing room.

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